Pheasant Family Makie Box "Reijitsu (Beautiful Day)"
- Lacquerware
- Presented in 2016
- H 16.2 x W 25.0 x D 11.1 cm
- Contact for Price
Japan's national bird is the pheasant.
"Reijitsu" means a beautiful, peaceful day.
I expressed the sunlight of a sunny day using raden and gold and silver makie on the vermilion base.
On the front side I painted the parents and on the back side, I painted the child.
I tried to express the importance of the act of families for all species, both animals and humans, in this piece.
Category | Lacquerware |
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Year Presented | 2016 |
Dimensions | H 16.2 x W 25.0 x D 11.1 cm |
Materials | paulownia wood (cloth and lacquer applied to strengthen the base), gold, pearl oyster, pigments |
Exhibition | The 57th Traditional Kogei Exhibition of Ishikawa |
Artist Signature | Signature on box and piece |
Notes | Comes with box |
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Urushi-e
Urushi-e (“lacquer pictures”) is a decorative technique that consists of motifs painted in colored lacquer. Urushi-e is the oldest and most fundamental decorative lacquer technique.
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Maki-e
Maki-e (literally “sprinkled pictures”) is a representative lacquerware technique that originated in Japan around 1,200 years ago. Maki-e is done by painting lacquer motifs on the surface of a piece using a fine brush and then sprinkling gold powder onto the lacquer before it hardens, producing luxurious decorations.
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Metal sheet inlay
Metal sheet inlay (hyōmon) is a technique that involves cutting shapes out of thin sheets of gold, silver, or other metals to create an inlay motif.
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Mother-of-pearl inlay (Raden)
Mother-of-pearl inlay (Raden) is a decorative technique that uses the iridescent inner layer of abalone shell, turban shell, pearl oyster shell, or other mollusk shells. The technique came to Japan from China 1,300 years ago, and pieces featuring mother-of-pearl inlay are included among the artifacts at the Shōsōin Repository in Nara.
Keiji Onihira
I create my artwork with lacquer, gold, powder, mother-of-pearl, using various makie techniques. Many new types of lacquer and pigments are being developed these days. I try to use these new materials and techniques within the traditional artwork, as I believe this will create a new tradition. With traditional lacquerware at the base, I want to try various motifs and themes to produce artwork that create a special little world or atmosphere.