Kiichiro Masumura

1941 -
  • Lacquerware Living National Treasure
  • Price Range $1,000 - 14,000
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  • Designation
    Living National Treasure (Important Intangible Cultural Property for Lacquer)
  • Category
    Lacquerware
  • Techniques
    Dry lacquer, Lacquering, Maki-e
  • Born
    1941 -
  • Based in
    Saitama
  • Membership
    Full member, Japan Kogei Association
    Professor emeritus at Tokyo University of the Arts
    Advisor at the Japan Kogei Association
    Chairman of the the Japan Cultural Property Lacquer Association
    Judge for certifying traditional craftsmen at the Association for the Promotion of Traditional Craft Industries
Kiichiro Masumura

About the Artist

Kyushitsu Techniques to be Passed Down to the Next Generation

Kyushitsu is known as the oldest technique in lacquer art. Lacquer artist Kiichiro Masumura studied lacquer art in Tokyo University of the Arts Graduate School and also learned traditional kyushitsu techniques from his father, Living National Treasure, Mashiki Masumura. He later restored a Shosoin treasure and extended his range of expression. In 2002, he received the Medal with Purple Ribbon which is a medal given to those who have made distinguished achievement in the art field. He was designated as Living National Treasure for kyushitsu in 2008. His artwork made with lacquering techniques taking advantage of the characteristics of lacquer and beautiful forms have been added to the collections of art museums in Japan and overseas, and impress those who see them.

Style

Kyushitsu technique – this is where urushi lacquer brings out the beauty of wood, bark, linen and hemp yarn.

Biography

  • 1941
    Born in Tokyo as the first son of lacquerware artist Mashiki Masumura
  • 1969
    Graduated from Tokyo University of the Arts Graduate School, Department of Crafts, Japanese Lacquer Course
  • 1993
    Invited to submit to the "Nuances in Lacquer: 70 Years of Innovations" exhibition at the National Museum of Modern Art, Tokyo
  • 1995
    Invited to submit to the "Japanese Studio Crafts" exhibition at the Victoria and Albert Museum, London. Artwork purchased by the museum.
  • 1996
    Invited to submit to the "Rainbows and Shimmering Bridges -Contemporary Japanese Lacquerware Exhibition" at the Japan Society Gallery, NY and the Denver Art Museum, USA
  • 1997
    Appears on NHK TV program "Saturday Art Morning", nationwide broadcast
  • 1998
    Reproduced an imitation of a Shosoin treasure "Shippi Onkesabako (Box for storing Emperor Shomu's stoles)" made with lacquered leather owned by the Imperial Household Agency
  • 2000
    Becomes Director of the Japan Kogei Association (Executive Director from 2004 - 2009)
  • 2002
    Curator of The University Art Museum, Tokyo University of the Arts (until March 2009)
  • 2006
    Chairman of the Japan Kogei Association Lacquerware Department (until 2009)
  • 2007
    Invited to submit to "Crafting Beauty in Modern Japan:Celebrating Fifty Years of the Japan Traditional Art Crafts" Exhibition, British Museum, UK
  • 2008
    Designated as Holder of Important Intangible Cultural Property
  • 2010
    Becomes Goodwill Ambassador for Kasukabe City
    Participates in the Imperial New Year's Poetry Reading Ceremony
  • 2013
    Made new sacred treasures for Ise Jingu. Had an audience with the emperor. Attended the "Sengyo Ritual" at Ise Jingu.
  • 2016
    Technical arts' documentary movie, "Kyushitsu, The Lacquer Art by Masumura Kiichiro", made by the Agency for Cultural Affairs, completed
  • 2018
    "Lacquer Friends of the World" exhibition at Museum für Lackkunst, Münster, Germany
    Submitted to "URUSHI Tradition and Innovation" travelling exhibition held at Ishikawa Prefectural Museum of Art, SOGO Museum of Art, and MOA Museum of Art (Atami, Shizuoka) (- 2019)
  • 2020
    "Kogei 2020 - The Art of Crafting Beauty from Nature" at Tokyo National Museum, Hyokeikan

Awards

  • 1979
    Recieved the Japan Kogei Association Chairman's Award for the "Kanshitsu Cinnabar-lacquer Tray with Handle" at the 26th Japan Traditional Kōgei Exhibition
  • 1981
    Received the Asahi Shimbun Award for the "Kanshitsu Cinnabar-lacquer Floral-shaped Bowl" at the 28th Japan Traditional Kōgei Exhibition
  • 1989
    Received the Important Intangible Cultural Property Holder Selection Award at the 36th Japan Traditional Kōgei Exhibition
  • 2002
    Received the Medal with Purple Ribbon
  • 2008
    Received the Grand Prize at the16th MOA Mokichi Okada Award Exhibition
    Received the Kasukabe City Honor Award
  • 2012
    Received the Order of the Sacred Treasure, Gold Rays with Neck Ribbon
  • 2021
    Received the Saitama Cultural Award

Public Collections

  • Victoria and Albert Museum
  • The National Museum of Modern Art, Tokyo
  • Agency for Cultural Affairs
  • MOA Museum of Art
  • The University Art Museum, Tokyo University of the Arts
  • Museo de Arte Moderno de Buenos Aires
  • Museum of Lacquer Art
  • Jingu Art Museum
  • Yamanashi Prefectural Museum
  • Museum of Kyushu Sangyo University
  • Daegu University Central Museum (Korea)
  • Wajima Museum of Urushi Art
  • Wajima Urushi Art Technical Training Center
  • Kiso Lacquerware Museum
  • Yakushiji Temple
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