Kawarinuri Tray with Design in Kinma "Sayaka"
H 2.8 x W 41.5 x D 20.0 cmMichiko Kaseyama
1950 -- Lacquerware
- Price Range Please Inquire
- Awards at Japan Kōgei Assoc. Exhibitions : 7
Description
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CategoryLacquerware
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MaterialsHemp cloth, Gold powder, Lake pigment
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DimensionsH 2.8 x W 41.5 x D 20.0 cm
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Collection ofNiimi Museum of Art
Techniques Used
Dry lacquer
For works of dry lacquer (kanshitsu), first a clay form is created and plaster is used to take a mold of the form. Next, repeated layers of hemp cloth and lacquer are applied to the mold until they are built up to the desired thickness. Finally, the mold is removed and additional coats of lacquer are applied to finish the piece. The hemp fibers are strengthened when the lacquer bonds with them, making dry lacquer an excellent technique for creating sturdy forms with a significant degree of freedom.
Chinkin
For chinkin (“sunken gold”), a chisel or knife is used to incise lines and dots into a lacquered surface. Gold leaf or fine gold powder is then inlaid into the grooves, creating a fine and delicate design.
Kinma
There are three basic variations of kinma based on the method used for cutting the motifs: line cutting, dot cutting, and a combination of the two. All three types use a special carving blade known as a kinma ken. Originally, kinma only consisted of motifs made of incised lines. However, by combining a variety of colored lacquers and cutting techniques, the art has lent itself to increasingly complex designs.
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