Kanshitsu box with Mt. Huaguo design in mother-of-pearl inlay and hyōmon.

H 11.0 x W 23.0 x D 15.0 cm,Year.2020
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Commission work, check artworks available for purchase, etc.

Hitomi Shintani

1987 -
  • Lacquerware
  • Awarded 8 times at the Japan Kōgei Assoc. Exhibition
  • Price Range Under ¥3,000,000
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Description

  • Category
    Lacquerware
  • Dimensions
    H 11.0 x W 23.0 x D 15.0 cm
  • Year presented
    2020
  • Rarity
    Unique

Techniques Used

Dry lacquer

For works of dry lacquer (kanshitsu), first a clay form is created and plaster is used to take a mold of the form. Next, repeated layers of hemp cloth and lacquer are applied to the mold until they are built up to the desired thickness. Finally, the mold is removed and additional coats of lacquer are applied to finish the piece. The hemp fibers are strengthened when the lacquer bonds with them, making dry lacquer an excellent technique for creating sturdy forms with a significant degree of freedom.

Metal sheet inlay

Metal sheet inlay (hyōmon) is a technique that involves cutting shapes out of thin sheets of gold, silver, or other metals to create an inlay motif.

Mother-of-pearl inlay (Raden)

Mother-of-pearl inlay (Raden) is a decorative technique that uses the iridescent inner layer of abalone shell, turban shell, pearl oyster shell, or other mollusk shells. The technique came to Japan from China 1,300 years ago, and pieces featuring mother-of-pearl inlay are included among the artifacts at the Shōsōin Repository in Nara.

Selected exhibitions

  • The 67th Japan Traditional Kōgei Exhibition (2020)
  • Selected
Hitomi Shintani

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