Hozan Nagura “The Sun” inkstone.
- Inkstone carving
- H 4.0 x W 19.0 x D 26.5 cm
- Not for Sale
I try to design the "spirit" we have in the Japanese culture that we have developed throughout our long history. I expressed the moon and the sun, night and day, the sky and the sea, the flow of time and adoration towards nature in this piece.
|Dimensions||H 4.0 x W 19.0 x D 26.5 cm|
|Materials||Homei Stone (Aichi Prefecture, Horaiji Mountain)|
|Exhibition||The 60th Japan Traditional Kōgei Exhibition (2013)|
|Awards||Japan Kogei Association Incentive Award|
Inkstones are used in brush calligraphy to grind the ink for writing characters. Inkstones are highly valued writing tools, and the process of ink grinding is regarded as a calming practice preceding calligraphic activities. First, the rough shape of the inkstone is cut out of the base rock. Next, a long-handled chisel is used to cut a flat surface where the ink will be ground and a well where the ink will gather. The final form is coated with a finish of wax or lacquer. Popular varieties of stone include Amehata slate (amehataishi) from Yamanashi prefecture, akamaishi schalstein from Yamaguchi prefecture, and hōmeiseki shale and slate from Aichi prefecture.
As stone materials I use kimpo-seki, engan-seki, and homei-seki, collected around Kadoya, and the suzuri (ink stone) made of these three types of stone are called “Horaiji Suzuri.” Not only do I want to improve and cultivate the techniques handed down by my predecessors, and pass them on to the next generation, but I also want to develop suzuri from a simple calligraphy utensil to a work of art as a “vessel imbued with heart” that expresses the spirit and aesthetic sense of the Japanese people. I do not want to just follow a Chinese style, rather I aim to elevate the value of suzuri toward a new cultural and artistic domain of Japanese style; with this hope, I carry out my day-to-day production.