Kanshitsu coffer with design in mother-of-pearl inlay and makie “Sky and sea”
H 16.9 x W 27.0 x D 12.6 cm,Year.2024Yoshiaki Taguchi
1958 -- Lacquerware
- Public Collections : The National Museum of Modern Art, Tokyo etc.
- Price Range Please Inquire
Description
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CategoryLacquerware
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MaterialsHemp cloth, White-lipped pearl oyster
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DimensionsH 16.9 x W 27.0 x D 12.6 cm
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Year presented2024
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RarityUnique
Techniques Used
Dry lacquer
For works of dry lacquer (kanshitsu), first a clay form is created and plaster is used to take a mold of the form. Next, repeated layers of hemp cloth and lacquer are applied to the mold until they are built up to the desired thickness. Finally, the mold is removed and additional coats of lacquer are applied to finish the piece. The hemp fibers are strengthened when the lacquer bonds with them, making dry lacquer an excellent technique for creating sturdy forms with a significant degree of freedom.
Maki-e
Maki-e (literally “sprinkled pictures”) is a representative lacquerware technique that originated in Japan around 1,200 years ago. Maki-e is done by painting lacquer motifs on the surface of a piece using a fine brush and then sprinkling gold powder onto the lacquer before it hardens, producing luxurious decorations.
Mother-of-pearl inlay (Raden)
Mother-of-pearl inlay (Raden) is a decorative technique that uses the iridescent inner layer of abalone shell, turban shell, pearl oyster shell, or other mollusk shells. The technique came to Japan from China 1,300 years ago, and pieces featuring mother-of-pearl inlay are included among the artifacts at the Shōsōin Repository in Nara.
Selected exhibitions
- The 71st Japan Traditional Kōgei Exhibition (2024)
- Selected
