Miho Fukaishi

1949 -
  • Textiles
  • Price Range Please Inquire
  • Awards at Japan Kōgei Assoc. Exhibitions : 3

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    • Category
      Textiles
    • Techniques
      Kasuri weaving
    • Born
      1949 -
    • Based in
      Okinawa
    • Membership
      Full member, Japan Kogei Association
    Miho Fukaishi

    Style

    For the past five or six years, I have been making textiles on which silk gauze and Hanaui weaving are combined with checked patterns.

    One day after finishing work on a piece of textile I decided to call it Ichimatsu Hanaro-ori. After using this weaving technique on other pieces, I noticed a distinct spatial or stereoscopic effect, which could be described as color shading. I had not noticed this while working and facing the loom before, and now I find I am completely captivated by this effect.

    Depth has appeared in the wonder of mosaic-like coloration created by the crossing of the vertical and horizontal colored stripes, and the crossing of plain and gauze woven structures.

    When I see this textile, I come to realize the eloquent expressiveness of shadows created by the strong and intense light of this southern island. I feel the natural beauty of the place seems to have influenced my creativity without my knowing it and guided me to weave this textile.

    I received an Agency for Cultural Affairs Commissioner's Award for a work I wove by applying this technique. The following is an excerpt:
     “An elegant color field structure produced by skillful techniques and a refined sensitivity exceeds the classic checked patterns, and the work is filled with a contemporary feel.

    By combining the Hanaui weaving of Okinawa with a modern approach, the work makes us aware of new possibilities in the textile arts.”

    Biography

    • 1970
      Left Musashino Art University
    • 1979
      Learned Minsa weaving from ARA Kinue at Minsa Crafts Gallery
    • 1981
      Studied hand weaving and ikat dyeing under the late OSHIRO
      Shizuko in Shuri, Okinawa City
    • 1982
      Established the Karan studio at Nakasuji, Ishigaki City. Started
      production of interior goods using plant-dyed and ikat woven linen,
      cotton, and bashofu
    • 1983
      Solo exhibition, Keio Department Store, Shinjuku, Tokyo
    • 1984
      Participated in One Village One Product Crafts Exhibition,
      Yokohama Takashimaya Department Store
      Continued production to order from folkcraft shops in her county.
      Started cultivation, production, and aidate
      (a technique to make a leaf ball) ofIndian indigo, cultivation, dyeing and
      weaving of yaeyama aoki (Indian mulberry),
      and Tyrian purple shell dyeing
      Attended an omi* course at Yaeyama Museum, and through meetin
      g with SUNAGAWA Emiko in Miyakojima Island,
      conducted test weaving of fine light linen material *Twisting False
      nettle fibers into thread
      Explored possibility of dyeing and weaving in Yaeyama, e.g. learning
      sedentary reeling of fresh cocoons from ITOMAN Tomi in Kabira, Ishigaki City
    • 1989
      Two Artists Exhibition, Beniya Folkcraft Shop, Shibuya, Tokyo
    • 1990
      Invited TAWADA Yoshiko and held ""Hanaui (Raised Figure)
      Weaving Course"" under the Prefectural Craft Training Institute Advisor Program
    • 1993
      Gave the name “Kabira-ori” to plant-dyed fresh cocoon textiles using silk
      threads reeled by hand, and shipped
      Interviewed by the novelist TATEMATSU Wahei for a magazine serial titled
      ""Dyeing, Weaving, and Prayer"" in the magazine ""Utsukushii Kimono""
    • 2000
      Held ""Work at Karan Studio"" Exhibition, Ishigaki Municipal Library Exhibition Hall
    • 2005
      Solo exhibition ""Changing Ikat:Fukaishi Miho Ikat Weaving Exhibition,"" Kyoto
    • 2009
      Full member, Japan Kogei Association
    • 2013
      Held ""Weaving and Coloring Light and Shade:Fukaishi Miho Exhibition,""
      Ginza Motoji, Tokyo

    Awards

    • 1995
      Received Honourable Mention at the National New Textile Artists Exhibition
      (hosted by the Japan Kimono Arts and Crafts Association)
    • 1996
      Selected for the Okiten (first time) (hosted by the Okinawa Times)
    • 1997
      Received the Grand Prize at the Okinawa Crafts Public Exhibition
      (hosted by Okinawa Prefecture)
    • 1999
      Received the Asahi Shimbun Silver Prize at the West Japan Arts and Crafts Exhibition
      (hosted by the Japan Kogei Association Western Branch)
    • 2001
      Selected for the Japan Traditional Textile Arts Exhibition (first time)
      (hosted by the Japan Kogei Association Textile Department)
    • 2002
      Selected for the Japan Traditional Art Crafts Exhibition (first time)
      (hosted by the Japan Kogei Association)
    • 2003
      Received the Incentive Award at the Okiten
    • 2005
      Received the Commerce and Tourism Award
      from the Okinawa Prefecture at the Yaeyama Industry Festival
    • 2006
      Received the Chairman of Japan Art Crafts Association Prize
      at the Japan Traditional Textile Arts Exhibition
    • 2011
      Received the Agency for Cultural Affairs Commissioner's Award
      at the Japan Traditional Textile Arts Exhibition
    • 2012
      Received the Mayor of Urasoe Award at the Okiten
    • 2014
      Received the Incentive Award at the Okiten
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